South East England Trios

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The names of Jazz Trio

Much inventiveness and history has gone into the naming of bands. Here are some band names:-

"  Jamaica Jazzers; Jeanette James and her Synco Jazzers; Jelly James and his Fewsicians; Frankie "Half Pint" Jaxon and his Hot Shots; Midnight Rounders; Midnight Serenaders; Midway Garden Dance Orchestra; Miff Mole's Molers; Josie Miles accompanied by the Choo Choo Jazzers; Frankie "Half Pint" Jaxon accompanied by the Harlem Hamfats; Frankie "Half Pint" Jaxon accompanied by Punches Delegates of Pleasure; Jazzazza Jazz Band; Jazz Artists; Jazz Band Kapelle, Karellmeister Bernard Ette; Jazzbo's Carolina Serenaders; Jazz-O-Harmonists; Josie Miles accompanied by the Kansas City Five; Bubber Miley and his Mileage Makers; Emmett Miller accompanied by his Georgia Crackers; Johnnie Miller's New Orleans Frollickers; Ray Miller's Black And White Melody Boys; The Jim-Dandies; Jimmie's Blue Melody Boys; Arnold Johnson Orchestra; Bill Johnson's Louisiana Jug Band; Charlie Johnson's Paradise Orchestra; Eddie Johnson's Crackerjacks; J.C. Johnson and his Five Hot Sparks; Ray Miller and his Orchestra; Ray Miller and his Hotel Gibson Orchestra; Irving Mills' Hotsy-Totsy Gang; Irving Mills' Modernists; Mills' Ten Black Berries; James P. Johnson's Harmony Eight; Jimmy Johnson and his Band; Jimmy Johnson and his Orchestra; Jimmy Johnson's Jazz Boys; Johnson's Jazzers; Margaret Johnson accompanied by the Black and Blue Trio; Margaret Johnson accompanied by Clarence Williams' Blue Five; Warren Mills and his Blue Serenaders; Missourians "

Jazz Styles

Jazz is a reflection of the history of this music from the 1890s to modern day. Many of the great classical composers have drawn on jazz for inspiration. Jazz can be divided into many periods and styles, e.g. :-

Up to World War II, the story in Europe (and particularly in Britain) was much the same. Jazz by and large remained a specialist music played by musicians who made their living working for dance bands then let their hair down in the small hours playing clubs. Records of British bands of the period (Ambrose, Lew Stone, Ray Noble, Roy Fox and others), like their American counterparts were often spiced with jazz solos, many being magnificent jazz in their own right. A dramatic and regrettable development in Britain post-war was the wholesale discarding of the pre-war musicians, who in the wake of crusading revivalism (which condemned commercially based music of any kind), and bebop (which set store by modernism above all), found themselves prematurely consigned to retirement.

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