Northern England Trios

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The names of Jazz Trio

Much inventiveness and history has gone into the naming of bands. Here are some band names:-

"  Black And Tan Orchestra; Black Birds Of Paradise; Black Pirates; Clarence Black's Savoy Trio; Parham's Black Patti Band; Parham - Pickett Apollo Syncopators; Peck's Bad Boys; Jack Pettis and his Band; Jack Pettis and his Pets; Blake's Jazzone Orchestra; Eubie Blake and his Orchestra; Eubie Blake and his Shuffle Along Orchestra; Eubie Blake Trio; Blind Willie Dunn and his Gin Bottle Four; Blind Willie Dunn and Lonnie Johnson; Blue Grass Foot Warmers; Phillips Louisville Jug Band; Picaninny Jug Band; Piccadilly Players; Piccadilly Revels Band; Charles Pierce and his Orchestra; The Blue Rhythm Orchestra; Blue Ribbon Syncopators; Blythe and Burton; Blythe and Clark; Jimmy Blythe and his Ragamuffins; Blythe's Owls; Blythe's Sinful Five; Murray Pilcer and his Jazz Band; Pinkie's Birmingham Five; Piron's New Orleans Orchestra; The Plantation Jazz Orchestra; The Plantation Orchestra; Blythe's Washboard Band; Blythe's Washboard Ragamuffins; James Boucher et son Jazz; Bogan's Birmingham Busters; Eric Borchard's Atlantic Jazz Band; Eric Borchard's Jazz Band; Borbee's Jass Band; Leo Poll et son Orchestre; Ben Pollack and his Californians; Ben Pollack and his Orchestra; Ben Pollack and His Park Central Orchestra; Ben Pollack and His Pick-A-Rib Boys; Boston Orchestra; James Boucher et son Jazz; Perry Bradford and his Gang; Perry Bradford's Jazz Phools; Brady's Clarinet Band; Arthur Briggs' Savoy Syncopators "

Jazz Styles

Jazz is a reflection of the history of this music from the 1890s to modern day. Many of the great classical composers have drawn on jazz for inspiration. Jazz can be divided into many periods and styles, e.g. :-

Piano ragtime began to be published in the late 1890s. It was immediately successful and subjected to various kinds of popularization, almost all of which have continued. It was (and is) sometimes played fast and shallow, with deliberately still rhythms, on a jangling prepared piano -- so much so that it is difficult to convince some listeners that the early ragtime composers were highly gifted melodists and serious craftsmen who produced an admirable body of musical art.

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