East Midlands Trios

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The names of Jazz Trio

Much inventiveness and history has gone into the naming of bands. Here are some band names:-

"  Flora Purim ; Gloria Lynne ; Helen Merrill ; Jeanne Lee ; Lena Horne ; Ciro’s Club Coon Orchestra; Ted Claire's Snappy Bits Band; Sunny Clapp and his Band O' Sunshine; Sonny Clay's Plantation Orchestra; Clicquot Club Eskimos; Clifford's Louisville Jug Band; Club Royal Orchestra; Margaret Whiting ; Marlene VerPlanck ; Maxine Sullivan ; Meridith d'Ambrosio ; Millie Vernon ; E.C. Cobb And His Corn Eaters; J.C. Cobb And His Grains Of Corn; Junie Cobb's Hometown Band; Oliver Cobb and his Rhythm Kings; Jean Cocteau et l'orchestre Dan Parrish; Bert Cohan and his Orchestra; Ellen Coleman accompained Lem Fowler's Orchestra; Nancy Harrow ; Nancy Wilson ; Patti Austin ; Phoebe Snow ; Sandra King ; The Collegians; Columbia Saxophone Sextette; Eric Concerto's Yankee Jazz Band; Eddie Condon and his Band; Eddie Condon and his Footwarmers; Eddie Condon Quartet; Doc Cook and his 14 Doctors of Syncopation; Sarah Vaughan ; Sheila Jordan ; Shirley Horn ; Tania Maria; Ann Hampton Callaway ; Cook and his Dreamland Orchestra; Cookie's Ginger Snaps; Coon Sanders Nighthawks Orchestra; Rene Cóspito and his Jazz Band; Cotton Club Orchestra; Cotton Pickers; Willie Coulter and his Band; Annette Sanders ; Betty Carter ; Cheryl Bentyne ; Chris Connor ; der Villa D'Este; Johnny Dunn and his Band; Johnny Dunn and his Jazz Band; M. Jones's Jazz Wizards; McKenzie's Candy Kids; "

Jazz Styles

Jazz is a reflection of the history of this music from the 1890s to modern day. Many of the great classical composers have drawn on jazz for inspiration. Jazz can be divided into many periods and styles, e.g. :-

New Orleans, considered the birthplace of jazz, was a thriving international center of commerce at the turn of the century. Because of its location as a seaport on the Mississippi River, it became a melting pot for ethnically diverse cultures. Musical influences from Africa, Spain, Italy, South America, and French cultures combined with ragtime and other popular music of the day to create the New Orleans style. Key to its development was the combination of the aural tradition of the blues along with the imitation of the popular marching band style brought to national prominence by John Philip Sousa. The resultant music created a "ragging" effect or embellishment to the music by combining spontaneous melodic variations with syncopated rhythms.

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