Brentwood Trios

Jazz trios in Brentwood can be found on our national database of music and musicians, covering weddings, parties, corporate functions and concert clubs.

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The names of Jazz Trio

Much inventiveness and history has gone into the naming of bands. Here are some band names:-

"  The Collegians; Columbia Saxophone Sextette; Eric Concerto's Yankee Jazz Band; Eddie Condon and his Band; Mamie Smith accompanied by The Choo Cho Jazzers; Susie Smith accompanied by The Choo Choo Jazzers; Susie Smith and Billy Higgins accompanied by The Choo Choo Jazzers; Susie Smith accompanied by The Texas Trio; Eddie South and his Alabamians; Eddie Condon and his Footwarmers; Eddie Condon Quartet; Doc Cook and his 14 Doctors of Syncopation; Cook and his Dreamland Orchestra; Cookie's Ginger Snaps; Coon Sanders Nighthawks Orchestra; Rene Cóspito and his Jazz Band; Jackie Souder and his Orchestra; Southern Rag-A-Jazz Band; The Southern Serenaders; The Southern Syncopated Orchestra; The Southland Six; Cotton Club Orchestra; Cotton Pickers; Willie Coulter and his Band; Ida Cox accompanied by Lovie Austin and her Blues Serenaders; Ida Cox and Lovie Austin; Ida Cox and Papa Charlie Jackson; Ida Cox accompanied by her Five Black Spells; Muggsy Spanier and his Ragtime Band; Muggsy Spanier and his Ragtimers; Muggsy Spanier and his V-Disc All-Stars; Reb Spikes Club Forty Fives; Reb Spikes Majors and Minors; Ida Cox accompanied by the Pruitt Twins; Ida Cox and her Allstar Band; Ida Cox and her Allstar Orchestra; Ida Cox accompanied with the Coleman Hawkins Quintet; Rosetta Crawford accompanied by King Bechet Trio; Rosetta Crawford accompanied by James P. Johnson's Hep Cats; "

Jazz Styles

Jazz is a reflection of the history of this music from the 1890s to modern day. Many of the great classical composers have drawn on jazz for inspiration. Jazz can be divided into many periods and styles, e.g. :-

Swing is the jazz style that emerged during the early 1930s and emphasized big bands. It spilled into the late 1940s and then remained popular in recordings, film, and television music long after its main proponents had disbanded. Most swing-style groups had at least 10 musicians and featured at least three or four saxophones, two or three trumpets, two or three trombones, piano, guitar, bass violin, and drums. Guitarists, bassists and drummers offered repeating rhythms that were sufficiently simple, buoyant, and lilting to inspire social dancers, the style's largest audience. Musicians strove for large, rich tone qualities on their instruments. Solo improvisers did not seek intricacy in their lines so much as lyricism and a hot, confident feeling that was rhythmically compelling. For these reasons, the musical period of the 1930s and 1940s has been called the swing era and big-band era. Not all dance music played by big bands of the 1930s and 1940s was jazz. A large segment of the public, however considered almost any lively, syncopated popular music to be jazz

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