Bath Trios

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The names of Jazz Trio

Much inventiveness and history has gone into the naming of bands. Here are some band names:-

"  Winegar's Pennsylvania Boys; Eddie Johnson's Crackerjacks; J.C. Johnson and his Five Hot Sparks; James P. Johnson's Harmony Eight; Jimmy Johnson and his Band; Jimmy Johnson and his Orchestra; Jimmy Johnson's Jazz Boys; Johnson's Jazzers; Wolverine Orchestra; Sam Wooding and his Orchestra; Wynn's Creole Jazz Band; Albert Wynn and his Gut Bucket Five; The Yankee Six; Margaret Johnson accompanied by the Black and Blue Trio; Margaret Johnson accompanied by Clarence Williams' Blue Five; Margaret Johnson accompanied by Clarence Williams' Harmonizers; Orville Johnson and His Orchestra; Clarence Jones and his Sock Four; Isham Jones and his Orchestra; Isham Jones and his Rainbo Orchestra; Yerkes Bluebird Orchestra; Yerkes Jazarimba Orchestra; Yerkes Novelty Five; Yerke's Southern Five; Young's Creole Jazz Band; Jones & Collins Astoria Hot Eight; Maggie Jones accompanied by her Jazz Band; Maggie Jones accompanied by Henderson's Hot Six; Maggie Jones accompanied by Henderson's Hot Six; Richard M. Jones' Jazz Wizards; Richard M. Jones' Three Jazz Wizards; Jones' Paramount Charleston Four; Miss Billie Young accompanied by Jelly Roll Morton; Eleuterio Yribarren Jazz Band; Barney Zeeman's Kentucky Kardinals; Anita O'Day ; Betty Carter ; Jimmie's Joys; Jimmie Joy's St. Anthony Hotel Orchestra; Jimmie Joy's Baker Hotel Orchestra; Jimmie Joy's Orchestra; Jungle Band; Jungle Kings; Jungle Town Stompers; Betty Roche ; Carmen McRae ; Chris Connor ; Dinah "

Jazz Styles

Jazz is a reflection of the history of this music from the 1890s to modern day. Many of the great classical composers have drawn on jazz for inspiration. Jazz can be divided into many periods and styles, e.g. :-

Jazz is the only musical form that originated in America which influenced musical development throughout the Western world. This music created by obscure black musicians in the late 19th century, at first was a synthesis of Western harmonic language and combined with the rhythms and melodic inflections of African music. Using the popular tunes of the day, black musicians created variations of them through improvisation (variations on a melody line) and syncopation (placing accent on the normally weak beat of a measure) and intonation that was considered "out of tune" to Western classical music.

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