The West Midlands Trios

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The names of Jazz Trio

Much inventiveness and history has gone into the naming of bands. Here are some band names:-

"  Lucille Hegamin and her Blue Flame Syncopaters; Lucille Hegamin and her Bang-Up Six; Lucille Hegamin and her Dixie Daisies; Original Jazz Hounds; Original Louisiana Five; Original Memphis Five; Original Memphis Melody Boys; Original Midnight Ramblers Orchesta; Lucille Hegamin accompanied by Clarence Williams and Band; Lucille Hegamin accompanied by Wooding's Society Entertainers; Edmonia Henderson accompanied by Lovie Austin and her Blues Serenaders; Edmonia Henderson accompanied by Tommy Ladnier and his Orchestra; Fletcher Henderson and his Sawin' Six; Fletcher Henderson Orchestra; Henderson's Club Alabam Orchestra; Original New Orleans Jazz Band; Original Piccadilly Four; Original Ramblers; Original Six; Original Tuxedo Jazz Orchestra; Henderson's Dance Orchestra; Rosa Henderson accompanied by the Virginians; Rosa Henderson accompanied by Fletcher Henderson's Jazz Five; Rosa Henderson accompanied by Fletcher Henderson's Orchestra; Rosa Henderson accompanied by Fletcher Henderson's Club Alabam Orchestra; Rosa Henderson and the Choo Choo Jazzers; Rosa Henderson accompanied by the Kansas City Five; Original Wolverines; Kid Ory's Creole Orchestra; George Osborn and his Orchestra; Fred Ozark's Jug Blowers; Walter Page's Blue Devils; Rosa Henderson accompanied by the Three Jolly Miners; Rosa Henderson accompanied by the Kansas City Four; Rosa Henderson accompanied by the Three Hot Eskimos; Rosa Henderson accompanied by the Four Black Diamonds; Henderson's Happy Six Orchestra; Eddie Heywood and his Jazz Six; Edna Hicks accompanied by Fletcher Henderson's Orchestra; Palais Royal Californians; Palledo Orchestra Of "

Jazz Styles

Jazz is a reflection of the history of this music from the 1890s to modern day. Many of the great classical composers have drawn on jazz for inspiration. Jazz can be divided into many periods and styles, e.g. :-

The two mainstreams combined to form a third stream. Earlier in the century, composers had pursued similar directions - George Gershwin with "Rhapsody in Blue," and Darius Milhaud with "The Creation of the World." Bandleader Paul Whiteman, whose motto was to "make a lady out of jazz," popularized what was to be labeled "symphonic jazz" during the 1920s and '30s. Duke Ellington began creating his extended works including "Reminiscing in Tempo," in 1935, and "Diminuendo in Blue and Crescendo in Blue," in 1937.

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