The Midlands Trios

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The names of Jazz Trio

Much inventiveness and history has gone into the naming of bands. Here are some band names:-

"  Tony Parenti's New Orleanians; Parenti's Liberty Syncopators; Philippe Pares et son Orchestre-Jazz; Tiny Parham and his Musicians; Earl Hines and his Orchestra; Hitch's Happy Harmonists; Hollywood Shufflers; Saxi Holtsworth's Harmony Hounds; Sol Hoopii's Novelty Trio; Hot Boys Band; Hotsy Totsy Boys; Tiny Parham and his "Forty" Five; Parham's Black Patti Band; Parham - Pickett Apollo Syncopators; Peck's Bad Boys; Jack Pettis and his Band; Hot Jazz Ernest Holzer; Hottentots; Paul Howard's Quality Serenaders; Jack Humphrey's London Band; Prince Albert Hunt's Texas Ramblers; Hunter's Serenaders; Alex Hyde and his New York Orchestra; Jack Pettis and his Pets; Phillips Louisville Jug Band; Picaninny Jug Band; Piccadilly Players; Piccadilly Revels Band; Alex Hyde's Original New Yorker Jazz Band; Jack Hylton's Kit-Cat Band; John Hyman's Bayou Stompers; Indiana Sycopators; Cliff Jackson and his Crazy Cats; Preston Jackson and his Uptown Band; Alex Jackson's Plantation Orchestra; Charles Pierce and his Orchestra; Murray Pilcer and his Jazz Band; Pinkie's Birmingham Five; Piron's New Orleans Orchestra; The Plantation Jazz Orchestra; Dewy Jackson's Peacock Orchestra; Jamaica Jazzers; Jeanette James and her Synco Jazzers; Jelly James and his Fewsicians; Frankie "Half Pint" Jaxon and his Hot Shots; Frankie "Half Pint" Jaxon accompanied by the Harlem Hamfats; Frankie "Half Pint" Jaxon accompanied by Punches Delegates "

Jazz Styles

Jazz is a reflection of the history of this music from the 1890s to modern day. Many of the great classical composers have drawn on jazz for inspiration. Jazz can be divided into many periods and styles, e.g. :-

By the mid-1950s, hard boppers began breaking out of the standard bebop format using popular songs as vehicles for improvisation, played at torrid tempos with a straight ahead groove. They also created original compositions expressing a variety of tempos, grooves, and emotions. Such diversity led to the development of classic songs like Clifford Brown's "Joy Spring," Benny Golson's "Blues March," Bobby Timmons's "Moanin'," and Cannonball Adderley's "Work Song."

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