The Lake District Trios

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The names of Jazz Trio

Much inventiveness and history has gone into the naming of bands. Here are some band names:-

"  Jazzazza Jazz Band; Jazz Artists; Jazz Band Kapelle, Karellmeister Bernard Ette; Jazzbo's Carolina Serenaders; Jazz-O-Harmonists; The Jim-Dandies; Jimmie's Blue Melody Boys; Ben Pollack and His Pick-A-Rib Boys; Porter's Blue Devils; Powell's Jazz Monarchs; Ollie Powers' Harmony Syncopators; Andy Preer and the Cotton Club Orchestra; Arnold Johnson Orchestra; Bill Johnson's Louisiana Jug Band; Charlie Johnson's Paradise Orchestra; Eddie Johnson's Crackerjacks; J.C. Johnson and his Five Hot Sparks; James P. Johnson's Harmony Eight; Jimmy Johnson and his Band; Sammy Price and his Four Quarters; Frankie Quartell and his Little Club Orchestra; Frankie Quartell and his Melody Boys; Quintette of the Hot Club of France; Harry Raderman's Jazz Orchestra; Jimmy Johnson and his Orchestra; Jimmy Johnson's Jazz Boys; Johnson's Jazzers; Margaret Johnson accompanied by the Black and Blue Trio; Margaret Johnson accompanied by Clarence Williams' Blue Five; Margaret Johnson accompanied by Clarence Williams' Harmonizers; Orville Johnson and His Orchestra; Raderman's Radio Orchestra; Ma Rainey and her Georgia Jazz Band; Ma Rainey accompanied by Lovie Austin and her Blues Serenaders; Ma Rainey and Papa Charlie Jackson; Ma Rainey accompanied by The Pruitt Twins; Clarence Jones and his Sock Four; Isham Jones and his Orchestra; Isham Jones and his Rainbo Orchestra; Jones & Collins Astoria Hot Eight; Maggie Jones accompanied by her Jazz "

Jazz Styles

Jazz is a reflection of the history of this music from the 1890s to modern day. Many of the great classical composers have drawn on jazz for inspiration. Jazz can be divided into many periods and styles, e.g. :-

The roots of cool jazz can be traced back to various earlier styles, as well as a direction that trumpet player Miles Davis pursued during the late 1940s. After leaving saxophonist Charlie Parker's group in 1948, Davis became intrigued with developing new directions in jazz. He became associated with other New York musicians intent on combining the excitement and spontaneity of bebop with lush orchestrated arrangements.

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