Shrewsbury Trios

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The names of Jazz Trio

Much inventiveness and history has gone into the naming of bands. Here are some band names:-

"  Louis Armstrong and his Hot Five; Louis Armstrong and his Hot Seven; Louis Armstrong and his Orchestra; Sissle and Blake; Noble Sissle and his Sizzling Syncopators; Noble Sissle and his Orchestra; Noble Sissle and his International Orchestra; Noble Sissle's Swingsters; Louis Armstrong and his Savoy Ballroom Five; Louis Armstrong and his Sebastian New Cotton Club Orchestra; Louis Armstrong and his Stompers; Billy Arnold's Novelty Jazz Band; Billy Arnold et son Orchestre; Paul Ash and his Granada Orchestra; Paul Ash and his Orchestra; The Six Black Diamonds; Six Brown Brothers; The Six Hottentots; The Six Jolly Jesters; Abe Small and His Melody Boys; Paul Ash and his Pabst Blue Ribbon Casino Orchestra; Lovie Austin and her Blues Serenaders; Lovie Austin and her Serenaders; Austin and his Musical Ambassadors; Adolfo R. Avilés Jazz Band; Bailey's Dixie Dudes; Bailey's Lucky Seven; Bessie Smith accompanied by her Down Home Trio; Bessie Smith accompanied by Henderson's Hot Six; Bessie Smith accompanied by Buck and his Band; Bessie Smith and her Band; Bessie Smith and her Blue Boys; Buster Bailey and his Rhythm Busters ; Buster Bailey and his Seven Chocolate Dandies; Buster Bailey and his Sextet; Bal Tabarin Jazz Orchestra; Barbecue Joe and his Hot Dogs; Faye Barnes accompanied by Fletcher Henderson's Orchestra; Walter Barnes and his Royal Creolians; Clara Smith and her Jazz Band; Clara Smith accompanied "

Jazz Styles

Jazz is a reflection of the history of this music from the 1890s to modern day. Many of the great classical composers have drawn on jazz for inspiration. Jazz can be divided into many periods and styles, e.g. :-

New Orleans, considered the birthplace of jazz, was a thriving international center of commerce at the turn of the century. Because of its location as a seaport on the Mississippi River, it became a melting pot for ethnically diverse cultures. Musical influences from Africa, Spain, Italy, South America, and French cultures combined with ragtime and other popular music of the day to create the New Orleans style. Key to its development was the combination of the aural tradition of the blues along with the imitation of the popular marching band style brought to national prominence by John Philip Sousa. The resultant music created a "ragging" effect or embellishment to the music by combining spontaneous melodic variations with syncopated rhythms.

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