Hereford Trios

Jazz trios in Hereford can be found on our national database of music and musicians, covering weddings, parties, corporate functions and concert clubs.

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The names of Jazz Trio

Much inventiveness and history has gone into the naming of bands. Here are some band names:-

"  Detroit Melodists; Devonshire Resturant Dance Band; Harry Dial's Bluesicians; Joe Venuti and his Orchestra; Joe Venuti's Blue Four/Five/Six; Joe Venuti's Rhythm Boys; Ray Ventura et ses Collegiens; Vicksburg Blowers; Diamond King's Jazz Band; Carroll Dickerson's Savoy Orchestra; Carroll Dickerson's Savoyagers; Dixie Boys; Dixie Daisies; Dixie Four; Dixie Rhythm Kings; Victor Jam Band; The Virginians; Jimmy Wade and his Dixielanders; Wade's Moulin Rouge Orchestra; Sol S.Wagner and his Orchestra; Dixie Serenaders; Dixie Stompers; Dixie Washboard Band; Dixie-Land Thumpers; Dixieland Jug Blowers; Dixon and Channey; Vance Dixon and his Pencils; Fats Waller and his Buddies; Fats Waller and his Continental Rhythm; Fats Waller and his Orchestra; Fats Waller and his Rhythm; Fats Waller his Rhythm and his Orchestra; Dixon's Jazz Duo; Dixon's Jazz Maniacs; Dodds And Parham; Baby Dodds Jazz Four; Johnny Dodds and his Chicago Boys; Johnny Dodds and his Orchestra; Johnny Dodds' Black Bottom Stompers; Thomas Waller with Morris' Hot Babies; Waring's Pennsylvanians; Warner's Seven Aces; Bennie Washington's Six Aces; The Washingtonians; Johnny Dodds' Hot Six; Johnny Dodds' Trio; Johnny Dodds' Washboard Band; Doherty's Melody Boys; Pat Dollohan Orchestra; The Dorsey Brothers Orchestra; The Dorsey Brothers Concert Orchestra; Gilbert Watson and his Orchestra; "

Jazz Styles

Jazz is a reflection of the history of this music from the 1890s to modern day. Many of the great classical composers have drawn on jazz for inspiration. Jazz can be divided into many periods and styles, e.g. :-

Soul Jazz came partly from the funky subcategory of hard bop. Its earthy, bluesy melodic concept and the repetitive, dance-like rhythmic aspects stood as higher priorities than the invention of complex harmonies and intricate solo improvisations jazz swing feeling was foremost. Considerably simplified-often only a hint of bebop harmony or rhythmic complexity remained--soul-jazz became the form of hard bop known to the largest audience, particularly in the music of Jimmy Smith, Shirley Scott, Jack McDuff, Richard "Groove" Holmes, Jimmy McGriff, Ramsey Lewis, Les McCann, Hank Crawford, Stanley Turrentine and Houston Person. Soul Jazz combined the urban, electrified Chicago harp style with that of California swing bands and added a touch of Philadelphia tenor sax jazz from the 1960s.

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