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The names of Jazz TrioMuch inventiveness and history has gone into the naming of bands. Here are some band names:- " Jack Hylton's Kit-Cat Band; John Hyman's Bayou Stompers; Indiana Sycopators; Peggy Lee ; Sylvia Syms; Adelaide Hall ; Annette Hanshaw ; Connee Boswell ; Cliff Jackson and his Crazy Cats; Preston Jackson and his Uptown Band; Alex Jackson's Plantation Orchestra; Dewy Jackson's Peacock Orchestra; Jamaica Jazzers; Jeanette James and her Synco Jazzers; Jelly James and his Fewsicians; Ella Fitzgerald ; Ethel Waters ; Helen Humes ; Helen Ward ; Ivie Anderson ; Frankie "Half Pint" Jaxon and his Hot Shots; Frankie "Half Pint" Jaxon accompanied by the Harlem Hamfats; Frankie "Half Pint" Jaxon accompanied by Punches Delegates of Pleasure; Jazzazza Jazz Band; Jazz Artists; Jazz Band Kapelle, Karellmeister Bernard Ette; Jazzbo's Carolina Serenaders; Josephine Baker ; Lee Wiley ; Mabel Mercer ; Martha Tilton ; Mildred Bailey; Jazz-O-Harmonists; The Jim-Dandies; Jimmie's Blue Melody Boys; Arnold Johnson Orchestra; Bill Johnson's Louisiana Jug Band; Charlie Johnson's Paradise Orchestra; Eddie Johnson's Crackerjacks; Annie Ross ; Annie-Marie Moss ; Betty Carter ; Carmen McRae ; Chris Connor ; J.C. Johnson and his Five Hot Sparks; James P. Johnson's Harmony Eight; Jimmy Johnson and his Band; Jimmy Johnson and his Orchestra; Jimmy Johnson's Jazz Boys; Johnson's Jazzers; Margaret Johnson accompanied by the Black and Blue Trio; Cleo Laine ; " Jazz StylesJazz is a reflection of the history of this music from the 1890s to modern day. Many of the great classical composers have drawn on jazz for inspiration. Jazz can be divided into many periods and styles, e.g. :- When introduced, bop was as unpopular as swing had been popular. The complexity of the style often left the audience behind. The funky players were interested in recapturing the audience and reestablishing the hot jazz expression that had been abandoned by the cool style. This return was enthusiastic and reached back to the most communicative music in their past- church music. Another motive, less defined and certainly debatable, was the need to reclaim jazz as a predominantly African-American expression. Cool, and particularly West Coast jazz, was predominantly white even though Davis and Young were the forerunners. The structured, soft-spoken arrangements were certainly more typical of the European tradition than the expressive African-American voice heard in the early blues. Click to Enter database [About Jazz Trios] [Ensembles in Dudley wedding music repertoire] [About Dudley] [About music in Dudley] [About Wedding Venues] [About Wedding Ceremonies registrars, ministers and music] [About kinds of music such as classical, jazz or folk] [Frequently Asked Questions FAQs] [Ensembles1] [Ensembles2] [Ensembles3] [Ensembles4] [Home Page] |